Thursday, December 31, 2015

Happy Holidays

New Year’s Eve, and the holidays are almost over. It really has been a lovely season. We began, earlier in December, taking family to a Christmas concert, full of laughter and sing-alongs. Then, the weekend before Christmas, we had our traditional visit to New York City, to be part of the hustle and bustle, lights and decorations. Not to mention good food, and of course the Metropolitan Museum of Art.

We spent the entire day at the Met, including the extended evening hours, which gave us plenty of time to explore at a leisurely pace. We visited our old favorites, and took in several special exhibits, including Gilded Age furniture, and an exhibit of house-shaped vessels from Central and South America. This was one of my favorites:

I love the little dog waiting at the door for scraps!

And then there was the exhibit of 16th century textile pattern books.

book by Johann Schonsperger the Younger, Augsburg, 1529


The Met has an extraordinary collection of pattern books from the dawn of the print age, and many
samples of period textiles created from the patterns. Needless to say, I spent hours in the exhibit. It clearly showed how the rise of printing influenced textile fashion across Europe. Printers were freely gathering patterns for textile prints and embroidery from Italy, Germany, France, the Levant… and binding them together for the public’s consumption. While some people may be frustrated by how all this borrowing makes it difficult to know the origins of a particular pattern, I find it exciting to think about the “free” exchange of information across great distances, for people (especially women) who might otherwise not have the opportunity to travel so far. Today these books are particularly rare because pages were often removed in order to copy the patterns onto the material to be embroidered. The Libro de rechami (1532), by Alessandro Paganino even illustrates women using various methods to copy the patterns.

I think my favorite part of the exhibit related to a pattern of birds. This was clearly a popular pattern. Here is the pattern, and its interpretation in several different styles:





I was excited to see the lacis artifacts. Since this is a technique I have recently begun to learn, it was fun to see so many period examples all together. I think I will try my hand at one of these patterns.


And then there was the modern lacis. Perhaps I need to make myself a shirt.
 c. 1920 and 1910 respectively

Then, as a little extra treat, we found our way to a little-visited part of the museum, with an exhibit of 19th century samplers. Here is my favorite, because it was such a surprise.

London, mid-19th century


This piece is only about 3.5 inches square, so you can get a sense of how tiny these stitches are. But, who was this girl who was stitching complex math problems instead of quotes from Scripture?

We ended our trip to New York with a visit to the Central Park Zoo. The weather was perfect, and the animals were particularly active. Here is just one photo for your enjoyment:


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